Rachel LaFond on pursuing a career in music

Hey lovelies! I answered some questions with The Big Idea prior to recording that podcast with Don’t Give Up Your Day Job, and there are some really great nuggets about pursuing a career in music and what can make you successful. A must-read for aspiring professional musicians, have a read!

What advice would you give someone wanting to pursue a similar career?

Before you worry about fans and tours and recording for commercial release, focus on perfecting your art, your craft, your instrument. That’s what all this is built on, after all – especially if you want to have a lasting, life-long career in music.

So what does that mean?

Unfortunately it’s nothing so simple as Malcolm Gladwell’s “10,000 hours will make you an outlier” rule, though you should certainly be prepared for a lengthy investment of time and energy. It takes a lot of dedication to hone your music-making skill, and that’s great preparation for what creating and maintaining a career in music is like. You must have curiosity, engagement, and above all, persistence. For instance, if you can play the piano with passion and excitement every day for ten years, you’ll do fine with a career in music. This is not the kind of career you can “leave at the office” or “just work on a few days a week”. That said, do expect that there will be ups and downs – we’re all human, after all! This is where having a teacher and mentor can really help. They can help you sort through your feelings and help you determine if a dip is just temporary or means something bigger.

How have you learned from failure in the course of your career?

I have learned the importance of persistence and patience to have a career in music. I’m a big dreamer, so sometimes I’ll think that various milestones will either feel really big or will have a certain effect on my career. I’ve discovered that a successful career includes hundreds, if not thousands, of these types of milestones, and pinning too many heavy expectations on any one of them will just cause me to stall out when I’m disappointed by a less-than-dreamlike result. Slow-and-steady has never been my strength as a person, but I’ve had to learn to embrace it to keep myself happy and consistent.

Yep, that one on the right is totally me

Looking back even further, I’d say another thing I’ve learned this: what is right for you is not always going to be what everyone else says is right for you. Back in my high school/uni days, I fumbled my way through training in classical piano performance, feeling such passion and excitement and drive, but unable to back it up with appropriate consistent practice at home. So my results were always disappointing to myself and to my teachers, and especially in uni unfavorable comparison was the norm. It was draining and grinding, a weekly emotional roller coaster (I can only imagine how my teachers felt). It wasn’t until much later, when I left music altogether to travel and had no expectation of returning to a career as a musician, that I discovered my calling as a writer of music.

What has inspired you? Who or what keeps you going?

Every time someone tells me my music has brought them to tears, gave them goosebumps, helped them get through a tough time, or inspired them to be creative – I’m just flooded with a feeling of goodness, with the feeling that THIS is what I am here for.  At the end of the day though, if I’m struggling with something, feeling overwhelmed, or wondering if my music is good enough, if *I’M* good enough, my partner David is always there for me with an encouraging word. He always seems to know exactly what I need to hear to remind me of who I am and why I’m doing this. I can’t overstate the importance of having a strong, close support system. Creating art as a profession is not an easy life to pursue, and having people who love you, know you, and know your journey is essential for success.

I highly suggest checking out Ari Herstand’s book “How

to Make it in the New Music Business”. I have no connection to him, it’s just an excellent resource for someone either considering or trying to figure out a career in the music industry.

In closing, here’s a link to the original article on The Big Idea.

 

What do you think?